ANDARILHA

andarilha
sem casa
sem net
sem carro
uma mochila, um bendir
e as escadas de uma igreja
nas ruas de montpelier
invocando magdalena
.
cada dia a sua pequena fortuna
afortunada sem amanhã
.
andarilha, recorda -me hoje,
que sou eu a minha maior professora.
que sou soberana em mim, em mim, em mim,
com este todo da Presença que é graciosa e autêntica
e que tão pouco necessito, para ser feliz
amen!


“for him (hijikata), CAPITAList democracy, coming to prominence in Japan after the WAR, is no more than force ´a Karate TECHnique` . it represents a society of production. he writes: ´ I am not going to be DEceived (by such a Karate movement) anymore.` his view of dance as production is voiced in ´to prison`. which he wrote in 1961:
´ i am a BODY-shop; my profession is the business of human REHABILitation, which goes today by the name of DANCER`
hijikata seeks a purposeless use of the body in a society of PROduction.”

~ (Sondra Fraleigh and Tamah Nakamura: Hijikata Tatsumi and Ohno Kazuo)